Certainly there are also other chords besides minor seventh, dominant seventh or major seventh: in another pages I will treat about the half diminished, diminished and altered seventh chord voicings (with augmented fifth and ninth or minor ninth). Study all these progressions of II-V-I in major key and practice to play them on famous jazz standards. ![]() Second position (voicings) in jazz piano chords Instead, if it is too much above the central C the right hand can be disturbed. Keep in mind the chord of the left hand must be played as near as around the central C(C4) and it has to contain the central C inside (in virtual way, if the C does not belong to the chord), to avoid cacophony. The first position or the second is used according to the necessity. ![]() ![]()
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